How To Paint Fabric In Photoshop

Here's a look at the final painting in our series on how to pigment material in Photoshop

Ready to learn how to paint fabric in Photoshop?

You've now started applying blends to Alice's clothing, so in this lesson, we're just going to carry on adding those subtle shades and build things upwardly so you lot stop up with realistic-looking material.

This is quite a long process, and so you'll notice that Sycra has some of this video in time lapse to speed things upwards for y'all, the viewer.

Take your time when applying blends – information technology's all about subtle variations of color which, when congenital upwards layer upon layer, create an awesome 3D upshot that people will actually find!

Blending the Folds of the Fabric

Continue adding broad areas of tone to your painting, taking annotation of where the shadows and highlights will autumn. Use your reference photos to assistance yous out if you're unsure as to how the habiliment should look.

Think that the areas furthest from the light will be darker, such as Alice'south shoulder on the right-hand side of the painting and parts of her hairband.

When learning how to paint fabric in Photoshop, keep working on the forms to go them looking as 3D as possible and proceed zooming in and out of your painting to get a better thought of how everything is looking.

Adding Shadows to Alice's Apron

When working on the shadows for Alice's white apron, pick up a much darker color and make some wide brush strokes to blend the lines in.

Every bit with the rest of the vesture, effort and think about the form of the fabric and how its folds will catch the light or remain in shadow.

At the top of her shoulders, Alice'south hair is blocking the light, so this part of her frock would be in shadow.

Remember to choice up some of the skin tone when calculation this shaded area to correspond how the color is being reflected.

Y'all don't demand to be besides precise at this stage, considering you'll be going back in and cleaning all these areas up in a moment.

Cleaning up the Clothing

To speed things up, the next section of this video is in time lapse.

Here, you'll see how Sycra just keeps going over and over the various sections of the clothing, refining his blends and smoothing everything out.

It takes a while to do this, but the end result is well worth the expect!

Once you lot've got some wide areas of color downwards, you can so go back in with a finer castor and kickoff adding some detail.

When blocking in areas of bandage shadow, recall that these tend to exist more saturated colors.

A good case of this is the cast shadow on Alice's neck, where Sycra uses a more than saturated xanthous tint to create an awesome event.

At all times, effort and remember about where the light source is coming from and use this to assistance y'all make decisions most where the shadows should autumn.

When adding shadows to the folds of the textile, retrieve that these will be cast shadows too, so feel free to make these areas more saturated in color.

Losing the Line Art

Once you're done applying blends to the clothing, take a effectively brush and blend in whatsoever areas of the line fine art that however remain.

Accept a good expect effectually your painting and work on any areas that still need attention. Discover how Sycra blends some more colors into Alice's apron and adds a cast shadow on her arm where the sleeve of her clothes ends.

If you lot demand to, re-work whatsoever areas of strong shadow that need a little more than contrast.

Flip Your Canvas to become a Different View

As a concluding footstep, flip your image and look for any areas that need improvement.

Sometimes, it'due south like shooting fish in a barrel to get lost in your painting and it'due south only when you look at it from a unlike angle that y'all tin can see areas that withal need a fiddling work.

Experience free to keep making changes equally you get along. Here, you can see how Sycra keeps reworking areas until he's 100 percentage happy.

Recollect to turn your layers on and off then you can run across how these changes look and check the blackness and white color value layer to come across how these are at present looking.

Now that about of the painting is finished, it'south time to return to the pilus. In the side by side lesson, y'all'll be picking up some amazing manufacture insights into how to reach realistic flowing locks in your painting.

We hope this lesson has taught yous a lot about how to paint textile in Photoshop. You'll at present be able to take your new skills and use them to everything else you want to paint!

Return to the Stylized Painting Lessons Page

Source: https://www.pencilkings.com/stylized-painting-12-adding-details-to-clothes-2/

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